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Antonio Veronese-Tète d´Affiche Musée Historique-2009

 

Antonio Veronese- Faces in the Shadows 

September 16th, 2009 | mideart2

Faces in the Shadows – U.S. premiere new paintings by Antonio Veronese
Category: Visual Arts
When: Thursday, September 10, 2009 6:00 PM
Where: Paul Mahder Gallery
3378 Sacramento Street @ Walnut
Concord, CA 94521
How: Official Website

Cost: Free
Submitted by:
Paul M. See all of Paul M.’s events »
What/Why: The Paul Mahder Gallery is proud to present the U.S. Premiere of new paintings by internationally recognized Brazilian artist Antonio Veronese. Now living in Paris, he has recently exhibited at the United Nations, Art Paris 2009, Galerie Celal – Paris, and solo exhibits at the History Museum – Domaine National de Saint-Cloud, Barbizon Village of Painters and the Museum of Asago Village, Japan.

 

About the artist:

Antonio Veronese was born of Italian parents in Brotas, a small town near So Paulo in 1953. At an early age he was obsessed with drawing faces and he’s been painting them ever since. Now he’s a master painter. For more than sixteen years he taught art and painting to young prisoners in Rio de Janeiro. He believed art was a “drug” that could psychologically rehabilitate these disenfranchised children. And it did. Over 50% of the children he worked with were rehabilitated into society. Because of his work he was invited to the Commission on Human Rights at the United Nations, and received the highest honor from the Supreme Court of Justice of Brazil.

It is the remarkable struggle and work of Antonio Veronese to reduce violence against youth in Rio de Janeiro.
- Hillary Clinton, USA Secretary of State

The project of rehabilitation through art is a fascinating, rich human experience. I think Antonio Veronese’s life is a lesson for us all, because he is proving that Art can be a path of liberation for those in precarious living situations. The work of Antonio Veronese is a cultural heroic effort to ensure that children in prison regain a sense of dignity through art. I think this is a beautiful experience that we need to communicate to all.
- Francisco Welfort, Minister of Culture, Brazil

Veronese remarks, “The image of a hedonistic Rio de Janeiro, all samba and soccer, has become a cliché and our intellectuals have become our worst natural disaster. Armored cars have become a status symbol, but a society that suffers from fear every day is in defeat.”

For such words and paintings that exposed entrenched official violence and gave voice to victimized children, Veronese was personally threatened with violence. He ultimately had to flee to save his life. He relocated to Paris where he has continued to show in more than 30 art exhibitions, exhibiting in many museums, appearing in multiple public and private collections.

Veronese continues to paint faces, yet his work is deeper than just children in Brazil’s prisons. For him the face is “inexhaustible, it expresses such a variety of emotions… a Pandora’s box”.

It’s true that Veronese’s constant proximity with these children in distress has strongly influenced his painting, but what emerges is deeper … In fact, I find it bewildering that Veronese has successfully painted our inability to face life and the world today. That is why his work is beyond fashion, that’s why it’s a classic. Absent in our time, poisoned by the galloping abstractionism, nihilism and conceptual art, Veronese is someone who draws the face of our time. This is precisely what Veronese is doing.
- Francisco Brennand, painter and sculptor

Antonio Veronese, brazilian´s painter, leaves in France.
To see his works go to:
www.antonioveronese.over-blog.com

The Face of Antonio Veronese

The search, almost obsessive, for the face… Only the face, because in it there is the concentration of everything, the abstract… But the challenge is not the academic face, submitted to the anatomy and perspective rules…no! Veronese’s face is of absolute simplicity, almost abstractionist… in it, there is not either the bony skeleton or, some times, the correlated conception of each face. But attention, this false simplicity is impregnated with an affecting humanism.

In 2003, with his life threatened in Rio because of the delation made by his paintings of the violence against minors, Veronese leaves Brazil to live in France. This is an example of the denunciative power of his paintings, which bothers the denounced executioner. He leaves Brazil, but not the total engagement to the Brazilian issue. In exhibits in the United States, Switzerland and France, he continues to show obsessively these faces, putting a face to those people who don’t have the right to image, a form to react to his own perplexity. In 2003, with Views of Silence in Paris, he opens up a surprising space in first class French media. The exhibit, initially provided for fifteen days, was extended in exhibition for two months.

Invited by the news Jornal da Tarde, from Grupo Estado, to give his opinion about São Paulo Art Biennial in 2002, summarized his position in one sentence: “There is more emotion and history in a simple watercolor from Egon Schiele than in all pavilion of São Paulo Art Biennial. Different from the artists that only talk through their art, Veronese constantly manifests, engaged and not fearing the stereotype that accompanies the word. For him, the artist, as any citizen, must be engaged by principle, and insinuates that we all have, especially in Brazil, “le devoir de l’insolénce”. Physically away from Brazil, but never emotionally departed from the problems of his country, the painter continues to roar from his studio in Fontainebleau Forest, as a reaction to 2006 legislative poll: “… we are from a country that loves to credit its offenses to the incompetence and improbity to the politics. But a people that denies reelection to Antonio Carlos Biscaia and made Paulo Maluf the most voted must stop complaining about politicians and take responsibility…” A ferocious critic of the inactivity from people from Rio in face of the crisis in the city, he says in interview to Radio France “…it is time for Rio to look up in the mirror, because feeling shame is already a good start!”

In 1990, Tom Jobim wrote: “In Veronese’s paintings, there are the characters of what he calls Rio’s civil war. Their faces trace a nerve-racking profile of the country. A definite inventory of our anger period”

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The Four Brats

There are four brats in a hell of a raid under a thin rain. Four little rude Brazilians, children of God and the whore, in a suicidal zigzag in the Russian roulette of cars in motion: -Catch, him, catch him… The one on the front, the biggest of the four, granting the theft product in the deepest part of his underwear, has engraved in his face an adrenalin “overdose”: eyes plunging from the facial fossas as caricature Beth Daves in agony. Right behind, running fast, comes another black boy covering the back: tiny creature with nude head and thin shins, extremely white teeth despite the lack of milk during childhood, and the head spinning in a furor, making the tendons pop of his neck as a quarter back in danger in the small area. Finally, delayed on the run, the two skinniest ones – physic cultivated in the Misery Gym Academy – in a clumsiness of rended cattle: the legs bleeding against the bumper steel, with bare feet in the jugglery of the nude asphalt, and the sway of the little Pelés trying – in the difficulty and the limit of the lungs – to follow the ones on the front in the terrible procession. -Catch them, catch the sons of bitches! -screams the tied up man puffing by the nose, abandoned car in the street to gather in the insane flow of the followers. -Caaatch them! – repeats the crowd in choir, absorbed by the roman circus settled and that breaks the routine of the Sunday afternoon. Down the street, at the corner, a traffic warden, alarmed by the mess, takes an enormous baton and prepares the enclosure.

The crowd freezes in expectation… The biggest one, ignoring the police authority, keeps the speed and course unchanged until, at the imminence of the final bounce, by the nose of the well-built, flips like an acrobat and, disregarding gravity like a Chagal character, floats by the cars locked in the traffic jam, disappearing without a trace at the corner of the canal. -This one is gone!! – predicts the animal’s game banker, having a satisfaction smile on the face. The second black kid, the one on the back, guaranteed on the route traced by the front one, falls in the same trap: the slaughterhouse corridor, between the bus and the wall. -This one will not escape!! -screams the crowd, drooling with sadism – but the kid, with the furious stolen driver on his track, does not slow down in the suicidal course, disdaining of his bad fate. -Catch him, catch him, fuck! – screams the posh lady in the imported car, driven by a hysteria almost sexual. A group of enriched rascals, from behind the vehicles, increases the closures and closes the exits. The police officer spreads his arms and legs like a goal keeper for the penalty. The crowd counts in unison the meter to the possible denouement: -ten,… eight,… five,… three,… Then, the big driver that comes from the back, stretches his leg in a capoeira step, flinging a violent rabo-de-arraia in the hectic shins of the sprinter.

The lad looses his balance, almost falls, weaken but doesn’t hesitate and, pushing the oxygen from deep in his body, sways the body slippery with sweat and passes, slick as a hare, in between the legs of the policeman, leaving militia and driver scattered on the floor after violent frontal chock. Brazilian little Garrincha who folds and disappears, never to be seen again, in the same canal corner. The animal’s game banker doesn’t resist and punches the air with a loud – son of a bitch!! – But there are still two of them, dear Lord!!, the two small ones from the back trying to escape the traffic jam labyrinth. -There are two more!! – points out the lady, with half the body outside the vehicle. The crowd turns their heads in Rolland Garros choreography… -Back there, there are two more!!-, many people repeat. The traffic warden, trying to set again from the humiliation of the spectacular falling, reassumes the war operation screaming: – Catch them, catch the jerk, don’t let him escape!! Minduim, the toothless mulatto coming from last, passes buzzing by the bus and enters in a narrow corridor made by the cars. Surrounded, he slips as with vaseline by underneath a bus, facing, in the opposite sidewalk, with Dentinho, the smallest and the only white one of the boys, who, being no longer able to run, starts crying… a deep, desperate cry; dread printed in the small child’s eyes. -Wait me, wait me, Minduim-, he begs. Don’t leave me here!!! Minduim, touched by the cry of the small one, vacillates, delays his steps and reaches his solidary hand, but looses a precious time… They are surrounded, there is nowhere to escape. In the last and desperate resource, they throw themselves in the dirty waters of the Visconde’s canal, sheltering in the old rocks bridge.

The crowd, as troops chasing foxes, surrounds them by the other side and makes a wall. End of the line! The ragged pair sits, defeated, in the filthy water, the rib bones opening the accordion bellows of the chest like in the agony of the consumption. Dentinho cries convulsively, but Minduim, fear and rebellion condensed in the pathetic expression in his face, faces the crowd with surprising bravery: -Don’t hit, son of a bitch – threats the little guy, brave as a impounded marmoset. Why are you holding me? What did I do, son of a bitch? — Stole my wallet-, yells the rascal that, foaming by the nose, has his fury restrained by the warden in the messy swampy waters. -I stole you!? No, I didn’t steal you. Who stole you was Tião, the black guy that ya let escape. I didn’t steal anyone, no!! – repeats the small one, coarsening his voice, before the silence of the numb crowd. –Where is it, where it your wallet? It isn’t with me! Look, inspect me. I didn’t steal nothing! I’m clean!! And leave me, fuck!! – screams the kid, extricating, in a fury, from his own shirt stuck in the hands of the big guy. -But why were you running, delinquent? – asks the police officer… Nothing to hide, nothing to fear! The boy, then, raising up his nose in a challenging way – breathing heavily like a bullfighter, his eyes in the eyes of the crowd – and already with a rehearsed expression in the face, almost looking like arrogance, with his voice surprisingly firm considering the situation: -I ran because today is Sunday, and it’s time for Flamengo to play. Why? Can’t people go to the soccer in this city anymore?! And taking the smaller one by the hand – who, contaminated by his braveness, controls the cry in a convulsive sob crisis – slowly departs from the amazed crowd, to whom he addresses for the last time, now conscientious of his constitutional rights: – And don’t hit, brother, don’t hit coz we are under aged!!

antonio veronese
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Sentences from his Interviews

Brazilians love to credit their offenses to the politicians… But a people who denies reelection of Antonio Carlos Biscaia and made Paulo Maluf the most voted of the country, must stop blaming politicians and take their own responsibility!

___________________________

“They killed the rascal because of a package of sliced bread. Three shots on the back and the little creature spreaded there, grasping the “give us this day our daily bread”.

______________________________

“I don’t plead impunity. I know that part of these boys suffer from such moral blood poisoning that they have to be departed from society. But what hurts is to verify that the greatest part of them could be saved, but is simply being dumped.”

___________________________

“Weekly salary of a child in sisal hemp industry is equivalent to the daily production of a goat. And I ask myself: in the laziest of the social politics, isn’t it possible to give a goat to each family that has a child in the sisal hemp industry?”

_____________________________

“Rio needs to look up in the mirror. Feel shame is a good start.”

_________________________________

“I give several motifs for a boy to leave drug dealing. But there comes the dealer in chief and doubles my offer immediately.”

________________________________

“The hedonistic image of a Rio of Samba and soccer became a cliché in Atlântida movies. Today we are transformed in a society of extreme perversity.”

__________________________________

“…violence in Rio is a modern form of class struggle…”

_____________________________________

“Rio needs an impulse of citizenship!”

____________________________________

“Nowadays Rio’s thinking upper class fits in an audience from Canecão…”

_________________________________________

“Our upper class is the worst of the natural catastrophes.”

_____________________________________________

“There are more things between heaven and earth than our vain middle class…”

_______________________

“For this little upper class, armored car is a symbol of status…”

___________________________________________________

“Savoir Vivre ansemble” is the basic material in French public school. In Rio, when the arguments cease, the fellow goes on spanking.”

_____________________________________________________

“In Rio, stupidity has never been so firmly dug in…”

____________________________

“Rio lost mouthpiece. When I see the governor’s dresses I miss Nara Leão extremely…”

________________________________________________

“Crisis in Rio is an intelligence crisis…”

_________________________

_________________________

“Antony Garotinho’s election is a testimony of provincialism.”

___________________________________________

“…a society that suffers from fear daily, is a defeated society.”

___________________________________________________

“…press from Rio chickens out in the proposal of civil disobedience as a way to face violence blood poisoning.”

_________________________________________

“…our press is full of fast-thinkers or, as the Italians prefer, “tutologos”: people who read the newspapers in the mornings, consult their old books in the afternoon and throw up vain philosophy on the next morning issue.”

__________________________________________

“In Brazil, being poor is consumed fact.”

___________________________________

“Our little upper class is horrified by the land reform and dreams of living in Europe… without knowing that Europe is Europe thanks to land reform.”

___________________________________

“Government spends more money with sanitation in slums than with land reform, and it explains the exodus to the big cities…”

_________________________________

“In Brazil, we all have ‘le devoir de l’insolence’.”

_____________________________________

 

Plus information and photos at:



ANTONIO VERONESE à St-Cloud http://www.artisanat.org/articles.asp?ref=2995&lg=us
ANTONIO VERONESE Art &  CULTURA http://membre.wedoo.com/sitestats/20/208642.shtml
La sélection Veronese d’OverBlog http://www.over-blog.com/recherche/veronese
SITE Brasilidade ( Paris) http://brasilidade.canalblog.com/archives/2010/07/20/18625030.html
ANTONIO VERONESE’S PRESS LINKS http://www.casttv.com/video/vhxu2fk/antonio-veronese-video
Veronese at Paul Mahder Gallery (San Francisco)  http://www.paulmahdergallery.com/artists/artist_detail.php?-action=browse&-recid=33

Antonio Veronese -press links 303616_10151151736603024_772663339_n_2

At Frequency:
http://www.frequency.com/video/antonio-veronese/53349
POD CULTURA- Sucesso da Arte brasileira em Paris:
http://podcultura.wordpress.com/page/25/
Antonio Veronese Sucesso da arte brasileira em Paris
http://br.groups.yahoo.com/group/educacaoparaopensar/message/6472?unwrap=1&var=1
Top 25 Most shared News Videos today:
http://www.zocial.tv/today/News/4102330/antonio-veronese-sans-paroles
Wikipedia brésiliens peintres, Antonio Veronese, Eliseu Visconti, Alfredo Volpi:
http://fr.wikipedia.org/w/index.php?title=Cat%C3%A9gorie:Peintre_br%C3%A9silien&from=V

Les peintres d’Amerique Latine (Nuevamerica): http://www.novamerica.org.br/revista_novamerica/anteriores/r0116/rev_sumario.asp

Fundation Païdos rencontre Antonio Veronese à Geneve: http://antonioveronese.blog.com/2009/01/13/antonio-veronese-a-geneve/
Le Figaro-Paris http://recherche.lefigaro.fr/recherche/recherche.php?ecrivez=antonio+veronese&go=RECHERCHER&charset=iso&page=articles
BBB, a masturbaçao Nacional: http://www.google.fr/search?aq=f&sourceid=chrome&ie=UTF-8&q=google#q=bbb+a+masturba%C3%A7ao+nacional&hl=fr&prmd=imvns&ei=iNsvT5OEFYK68gP_oqH1Dg&start=0&sa=N&bav=on.2,or.r_gc.r_pw.,cf.osb&fp=12cfdc99c48cdcfa&biw=1673&bih=857
Saatchi Online… Antonio Veronese 204.236.129.151/art/view/artist/1004/art/724726

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Antonio Veronese Lusotopie  

http://www.lusotopie.sciencespobordeaux.fr/veronese.pdf

http://oglobo.globo.com/rio/ancelmo/posts/2011/12/14/a-coluna-de-hoje-421556.asp

http://cimitan.blogspot.com/2009/06/antonio-veronese-na-franca.html

http://mundo.busca.uol.com.br/buscar.html?ref=homeuol&ad=on&searchFor=noticias&rd=1&id=1&ads=on&q=antonio+veronese&x=0&y

Antonio Veronese au Musée Historique de St-Cloud

http://www.alternatif-art.com/index.php/les-expositions/Exposition-Antonio-Veronese-a-Saint-Cloud.html
Estudo para o painel Tensao no Campo 1996 (original no Congresso Nacional-Brasilia) instalado por Alain Vaissade , Ministro da Cultura do Cantao de Geneve, no Petit Palais de Geneve, a partir de 1997

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REVUE CHIMERES
http://www.revue-chimeres.fr/drupal_chimeres/?q=taxonomy/term/331
http://tinybitsofmatter.tumblr.com/post/5790551394/antonio-veronese-i-am-proud-to-say-that-i-am
http://www.brasil.fr/photos/37/antonio_veronese.php
http://www.google.fr/search?hl=fr&source=hp&q=antonio+veronese&btnG=Recherche+Google&meta=&aq=f&oq=
http://www.artslant.com/sf/events/show/66938-faces-in-the-shadows
http://galeriecelal.com/veronese_oeu_00.html
http://www.novamerica.org.br/revista_novamerica/anteriores/r0116/rev_sumario.asp
http://www.paulmahdergallery.com/artists/artist_detail.php?-action=browse&-recid=33
http://www.saatchi-gallery.co.uk/yourgallery/artist_profile/Antonio+Veronese/84070.html
http://www.sfstation.com/faces-in-the-shadows-e683841
http://www.monuments-nationaux.fr/en/news/events/all/bdd/actu/1797
http://www1.folha.uol.com.br/folha/cotidiano/ult95u3026.shtml
http://oglobo.globo.com/pais/moreno/post.asp?cod_Post=5816&a=27
http://www.revue-chimeres.fr/drupal_chimeres/?q=taxonomy/term/331
http://www.mst.org.br/node/4216
http://galeriecelal.com/veronese_bio.html
http://www.lusotopie.sciencespobordeaux.fr/veronese.pdf
http://squidlist.com/events/index.php?com=detail&eID=186081&year=2009&month=09
http://www.google.fr/#hl=pt%20BR&q=antonio+veronese&btnG=Pesquisa+Google&aq=f&fp=1&cad=b
417313_299640913422915_1395391650_nhttp://br.search.yahoo.com/search?p=antonio+veronese&searchsubmit=Buscar+na+web&fr=yfp&toggle=1&ei=UTF-8&rd=r1
http://veroneserecentworks.blog.com/
http://sofistadeonda.arteblog.com.br/109541/Antonio-Veronese-e-a-Bienal/
http://www.123people.co.uk/s/antonio+veronese
http://mundo.busca.uol.com.br/buscar.htmlref=homeuol&ad=on&searchFor=noticias&rd=1&id=1&ads=
on&q=antonio+veronese&x=0&y
http://www.blackmap.com/spip/spip.php?article828
http://www.alternatif-art.com/index.php/les-expositions/Exposition-Antonio-Veronese-a-Saint-Cloud.html
http://www.revue-chimeres.fr/drupal_chimeres/?q=taxonomy/term/331
http://bonjourbrasil.com/agenda-du-bresil-en-france/icalrepeat.detail/2010/08/10/743/-
/MjYyZDZhMTQ3Njc1YTNjZWU0NzNhNzllNzVhMGJlMjA=/antonio-veronese-75
http://tinybitsofmatter.tumblr.com/post/5790551394/antonio-veronese-i-am-proud-to-say-that-i-am
http://veja.abril.com.br/noticia/variedade/antonio-veronese-exposicao-arte-franca-pintura-475117.shtml
http://www.google.fr/search?hl=fr&q=antonio+veronese&start=10&sa=N
http://www.google.fr/search?hl=fr&source=hp&q=antonio+veronese&btnG=Recherche+Google&meta=&aq=f&oq=
http://www.novamerica.org.br/revista_novamerica/anteriores/r0116/rev_sumario.asp
http://www.paulmahdergallery.com/artists/artist_detail.php?-action=browse&-recid=33
http://www.saatchi-gallery.co.uk/yourgallery/artist_profile/Antonio+Veronese/84070.html
http://www.sfstation.com/faces-in-the-shadows-e683841
http://www.monuments-nationaux.fr/en/news/events/all/bdd/actu/1797
http://www1.folha.uol.com.br/folha/cotidiano/ult95u3026.shtml
http://oglobo.globo.com/pais/moreno/post.asp?cod_Post=5816&a=27
http://www.revue-chimeres.fr/drupal_chimeres/?q=taxonomy/term/331
http://br.search.yahoo.com/search?p=antonio+veronese&ei=UTF-8&rd=r1&fr=yfp&xargs=0&pstart=1&b=41
http://jbonline.terra.com.br/nextra/2009/01/18/e180121770.asp

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http://www.mst.org.br/node/4216
http://galeriecelal.com/veronese_bio.html
http://www.lusotopie.sciencespobordeaux.fr/veronese.pdf
http://squidlist.com/events/index.php?com=detail&eID=186081&year=2009&month=09
http://www.google.fr/#hl=pt%20BR&q=antonio+veronese&btnG=Pesquisa+Google&aq=f&fp=1&cad=b
http://br.search.yahoo.com/search?p=antonio+veronese&searchsubmit=Buscar+na+web&fr=yfp&toggle=1&ei=UTF-8&rd=r1
http://www.google.fr/search?hl=fr&source=hp&q=antonio+veronese&btnG=Recherche+Google&meta=&aq=f&oq=
http://www.google.fr/search?hl=fr&source=hp&q=antonio+veronese&btnG=Recherche+Google&meta=&aq=f&oq=
http://www.google.com/search?hl=pt-BR&q=antonio+veronese&btnG=Pesquisar&lr=&aq=f&oq=
http://fr.search.yahoo.com/search?rd=r1&p=antonio+veronese&toggle=1&cop=mss&ei=UTF-8&fr=yfp-t-703
Famine- Mission Brésilienne aux Nations Unis-New York
Antonio Veronese: O Arroto de Caetano Veloso
http://antonioveronesephotos.blog.com/
Internet’s links
http://www.google.fr/search?hl=fr&source=hp&q=antonio+veronese&btnG=Recherche+Google&meta=&aq=
http://www.google.com/search?hl=pt-BR&q=antonio+veronese&btnG=Pesquisar&lr=&aq=f&oq=
http://fr.search.yahoo.com/search?rd=r1&p=antonio+veronese&toggle=1&cop=mss&ei=UTF-8&fr=yfp-t-703
http://br.groups.yahoo.com/group/3setor/message/58822
Les images de l’exposition à Saint-Germain:
http://www.youtube.com/watch?v=G6bfrIEfHmQ
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YOUTUBE
http://www.youtube.com/watch?v=7_FnZ4tBQHk&feature=fvsr
http://www.youtube.com/watch?v=ciqbcfckxbA
Others Google Links:
http://fr.search.yahoo.com/search;_ylt=Apz5V4nQk5LKzVdyP6dCRFxNhJp4;_ylc=X1MDMjAyMzM5MjMzMwRfcgMyBGZyA3lmcC10LTcwMwRuX2dwcwMyBG9yaWdpbgNmci55YWhvby5jb20EcXVlcnkDYW50b25pbyB2ZXJvbmVzZQRzYW8DMQ–?vc=&vl=&fl=&p=antonio+veronese&toggle=1&cop=mss&ei=UTF-8&fr=yfp-t-703

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Estrela do pincel

O super artista plástico brasileiro Antonio Veronese inaugura dia 3 de agosto, em Paris, a exposição San Paroles, na sede da Prefeitura da Cidade Luz no bairro de Saint-Germain des Près. George Clooney e George Michael, seus amigos de Facebook, curtiram as obras que já estão catalogadas no álbum de Veronese, na rede…Heloisa Tolipan-Jornal do Brasil

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YOUTUBE
http://www.youtube.com/watch?v=7_FnZ4tBQHk&feature=fvsr
http://www.youtube.com/watch?v=ciqbcfckxbA
http://www.youtube.com/watch?v=G6bfrIEfHmQ
L’avenir
Pour en finir, un zoom sur 11 « jeunes » peintres prometteurs ou déjà confirmés (dont 3 femmes), et qui ont en tous cas de bonnes chances de laisser leurs noms dans l’histoire…Voici donc, pour votre plaisir :Marió Murúa, né en 1952 (Chili), Antonio Veronese, né en 1953 (Brésil), Arturo Montoto, né en 1953 (Cuba), Elena Climent, né en 1955 (Mexique), Marta Araya Maraya, né en 1960 (Costa Rica), Roberto Mamani Mamani, né en 1962 (Bolivie), Aurelio Garcia, né en 1964 (Argentine), Tatiana Cañas de Montes, née en 1966 (Salvador) ,Pedro Sandoval, né en 1966 (Venezuela), Juan Carlos Nañake Torres, né en 1971 (Pérou), Elmer Ciserón Bautista, né en 1975 (Honduras)
http://www.graphiste-webdesigner.fr/blog/2011/05/la-peinture-latino-americaine-au-xxe-siecle-jusqua-nos-jours/
Google Links:
http://www.google.co.uk/cse?cx=partner-pub-6160932832663943%3Ay1pp37e5dee&ie=ISO-8859-1&q=antonio+veronese&sa=Search#gsc.tab=0&gsc.q=antonio%20veronese&gsc.page=1
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http://epocaestadobrasil.wordpress.com/2012/01/18/antes-do-big-brothel-a-masturbacao-globo-usa-jornal-para-promover-masturbacao-video-estarrecedor/
http://advivo.com.br/blog/luisnassif/ressocializacao-e-arte-por-antonio-veronese
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http://contextolivre.blogspot.fr/2012/01/antonio-veronese-bbb-masturbacao.html
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http://www.comunistas.spruz.com/videos.htm?a=&act=view-video&id=7EF881AD-873F-48BA-BB5B-C21DDF249C96
  1. http://jornalrecomeco.blogspot.fr/2007/08/ressocializao-e-arte-antonio-veronese.htmlhttp://geraldoze.blogspot.fr/2012/01/bbb-antigamente-televisao-abria-espaco.htmlhttp://www.popscreen.com/v/73Nq2/Antonio-Veronese-Un-voyage-dans-lunivers-du-peintre-br%C3%A9silien422795_299639553423051_647449878_n

  1. Clipping do dia | Brasilianas.Orgadvivo.com.br › Blogs - Traduire cette page12 jan. 2012 – Nassif, no RS tem governo paralelo, no AP tb. ….. Em entrevista publicada em seu blog, o pintor Antonio Veronese faz duras críticas à Tv Globo e….. Hoje, Luiz Gustavo Medina, publicou um post sobre o livro, mas também e 
  2. 39607 – Brasilianas.Orgadvivo.com.br › Topics participated in - Traduire cette pageRessignificação de Palocci: a defesa do personagem simbólico, 0, 28/05/2011 – 11:13. Ressocialização e arte, por Antonio Veronese, 8, 29/06/2012 – 08:19 
  3. Posts anteriores – Notícias | UJSujs.org.br/portal/?cat=1&paged=146 - Traduire cette page12 jan. 2012 – Em entrevista publicada em seu blog, Antonio Veronese faz duras críticas à Tv Globo e ao Jornal O Globo. Oportuna, neste  por Luis Nassif ..
  4. www.jau.sp.gov.br/guiadacidade.php .
  5. tudo-em-cima.blogspot.com/…/autor-de-pedido-d...
  6. pt-br.facebook.com/fernanda.santos.7967

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OSCAR NIEMEYER E A IMPRENSA TUPINIQUIM ANTONIO VERONESE

(*) Publicado originalmente no blog de Leonardo Boff

Crítica mesquinha, que pune o talento, essa ousadia imperdoável de alçar os cornos acima da manada.

No Brasil, talento, como em nenhum outro país do mundo, é indigerível por parte da imprensa que se acocora devorada por inveja intestina. Capitania hereditária de raivosos bufões que já classificou a voz de Pavarotti de ruído de pia entupida; a música de Tom Jobim de americanizada; João Gilberto de desafinado e Cândido Portinari de copista…Quando morre um homem de talento, como agora o grande Oscar Niemeyer, os raivosos bufões babam diante do espelho matinal ávidos de escárnio.

Não questiono a liberdade da imprensa. Mas a pergunta que se impõe é como é possível que um talento, com a dimensão internacional de Oscar Niemeyer, (sua morte foi reverenciada na primeira página de todos os grandes jornais do mundo) possa ser chamado, por um jornalista mequetrefe, num órgão de imprensa de cobertura nacional, de metade-gênio-metade idiota? Isso após sua morte, quando não mais capaz de defender-se, e ainda que sob a desculpa covarde de reproduzir citação de terceiros…
O consolo que me resta é que a História desinteressa-se desses espasmos da estupidez. Quem se lembra hoje dos que criticaram a bossa nova ou Villa-Lobos? Ao talento, no entanto, está reservada a reverência da eternidade.

Antonio Veronese

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(*) Publicaçao original no blog de Leonardo Boff.

Com a morte de Oscar Niemeyer aos 104 anos de idade ouviram-se vozes do mundo inteiro cheias de admiração, respeito e reverência face a sua obra genial, absolutamente inovadora e inspiradora de novas formas de leveza, simplicidade e elegância na arquitetura. Oscar Niemeyer foi e é uma pessoa que o Brasil e a humanidade podem se orgulhar.

E o fazemos por duas razões principais: a primeira, porque Oscar humildemente nunca considerou a arquitetura a coisa principal da vida; ela pertence ao campo da fantasia, da invenção e do lúdico. Para ele era um jogo das formas, jogado com a seriedade com que as crianças jogam.

A segunda, para Oscar, o principal era a vida. Ela é apenas um sopro, passageira e contraditória. Feliz para alguns mas para as grandes maiorias cruel e sem piedade. Por isso, a vida impõe uma tarefa que ele assumiu com coragem e com sérios riscos pessoais: a da transformação. E para transformar a vida e torná-la menos perversa, dizia, devemos nos dar as mãos, sermos solidários uns para com os outros, criarmos laços de afeto e de amorosidade entre todos. Numa palavra, nós humanos devemos aprender a nos tratar humanamente, sem considerar as classes, a cor da pele e o nível de sua instrução.

Isso foi que alimentou de sentido e de esperança a vida desse gênio brasileiro. Por aí se entende que escolheu o comunismo como a forma e o caminho para dar corpo a este sonho, pois, o comunismo, em seu ideário generoso, sempre se propôs a transformação social a partir das vítimas e dos mais invisíveis. Oscar Niemeyer foi um fiel militante comunista.

Mas seu comunismo era singular: no meu modo de ver, próximo dos cristãos originários pois era um comunismo ético, humanitário, solidário, doce, jocoso, alegre e leve. Foi fiel a esse sonho a vida inteira, para além de todos os avatares passados pelas várias formas de socialismo e de marxismo.

Na medida em que pudemos observar, a grande maioria da opinião pública mundial, foi unânime na celebração de sua arte e do significado humanista de sua vida. Curiosamente a revista VEJA de domingo, dedica-lhe 10 belas páginas. Outra coisa, porém, é a revista VEJA online de 7 de dezembro com um artigo do blog do jornalista Reinado Azevedo que a revista abriga.

Ele foi a voz destoante e de reles mau gosto. Até agora a VEJA não se distanciou daquele conteúdo, totalmente, contraditório àquele da edição impressa de domingo. Entende-se porque a ideologia de um é a ideologia do outro. Pouco importa que o jornalista Azevedo, de forma confusa, face às críticas vindas de todos os lados, procure se explicar. Ora se identifica com a revista, ora se distancia, mas finalmente seu blog é por ela publicado.

Notoriamente, VEJA se compraz em desfazer as figuras que melhor mostram nossa cultura e que mais penetraram na alma do povo brasileiro. Essa revista parece se envergonhar do Brasil, porque gostaria que ele fosse aquilo que não é e não quer ser: um xerox distorcido da cultura norte-americana. Ela dá a impressão de não amar os brasileiros, ao contrário expõe ao ridículo o que eles são e o que criam. Já o titulo da matéria referente a Oscar Niemeyer da autoria de Azevedo, revela seu caráter viciado e malevolente: ”Para instruir a canalha ignorante. O gênio e o idiota em imagens”. Seu texto piora mais ainda quando, se esforça, titubeante, em responder às críticas em seu blog do dia 8/12 também na VEJA online com um título que revela seu caráter despectivo e anti-democrático:”Metade gênio e metade idiota- Niemeyer na capa da VEJA com todas as honras! O que o bloco dos Sujos diz agora?” Sujo é ele que quer contaminar os outros com a própria sujeira de uma matéria tendenciosa e injusta.

O que se quer insinuar com os tipos de formulação usados? Que brasileiro não pode ser gênio; os gênios estão lá fora; se for gênio, porque lá fora assim o reconhecem, é apenas em sua terceira parte e, se melhor analisarmos, apenas numa quarta parte. Vamos e venhamos: Quem diz ser Oscar Niemeyer um idiota apenas revela que ele mesmo é um idiota consumado. Seguramente Azevedo está inscrito no número bem definido por Albert Einstein: ”conheço dois infinitos: o infinito do universo e o infinito dos idiotas; do primeiro tenho dúvidas, do segundo certeza”. O articulista nos deu a certeza que ele e a revista que o abriga possuem um lugar de honra no altar da idiotice.

O que não tolera em Oscar Niemeyer que, sendo comunista, se mostra solidário, compassivo com os que sofrem, que celebra a vida, exalta a amizade e glorifica o amor. Tais valores não cabem na ideologia capitalista de mercado, defendida por VEJA e seu albergado, que só sabe de concorrência, de “greed is good”(cobiça é coisa boa), de acumulação à custa da exploração ou da especulação, da falta de solidariedade e de justiça em nível internacional.

Mas não nos causa surpresa; a revista assim fez com Paulo Freire, Cândido Portinari, Lula, Dom Helder Câmara, Chico Buarque, Tom Jobim, João Gilberto, frei Betto, João Pedro Stédile, comigo mesmo e com tantos outros. Ela é um monumento à razão cínica. Segue desavergonhadamente a lógica hegeliana do senhor e do servo; internalizou o senhor que está lá no Norte opulento e o serve como servo submisso, condenado a viver na periferia. Por isso tanto a revista quanto o articulista revelam um completo descompromisso com a verdade daqui, da cultura brasileira.

A figura que me ocorre deste articulista e da revista semanal, em versão online, é a do escaravelho, popularmente chamado de rola-bosta. O escaravelho é um besouro que vive dos excrementos de animais herbívoros, fazendo rolinhos deles com os quais, em sua toca, se alimenta. Pois algo semelhante fez o blog de Azevedo na VEJA online: foi buscar excrementos de 60 e 70 anos atrás, deslocou-os de seu contexto (ela é hábil neste método) e lançou-os contra Oscar Niemeyer. Ela o faz com naturalidade e prazer, pois, é o meio no qual vive e se realimenta continuamente. Nada de surpreendente, portanto.

Paro por aqui. Mas quero apenas registrar minha indignação contra esta revista, em versão online, travestida de escaravelho por ter cometido um crime lesa-fama. Reproduzo igualmente dois testemunhos indignados de duas pessoas respeitáveis: Antonio Veronese, artista plástico vivendo em Paris e João Cândido Portinari, filho do genial pintor Cândido Portinari, cujas telas grandiosas estão na entrada do edifício da ONU em Nova York e cuja imagem foi desfigurada e deturpada, repetidas vezes, pela revista-escaravelho.

Oscar Niemeyer e a imprensa tupiniquim- Antonio Veronese

Crítica mesquinha, que pune o talento, essa ousadia imperdoável de alçar os cornos acima da manada.

No Brasil, talento, como em nenhum outro país do mundo, é indigerível por parte da imprensa que se acocora devorada por inveja intestina. Capitania hereditária de raivosos bufões que já classificou a voz de Pavarotti de ruído de pia entupida; a música de Tom Jobim de americanizada; João Gilberto de desafinado e Cândido Portinari de copista…Quando morre um homem de talento, como agora o grande Oscar Niemeyer, os raivosos bufões babam diante do espelho matinal ávidos de escárnio.

Não questiono a liberdade da imprensa. Mas a pergunta que se impõe é como é possivel que um talento, com a dimensão internacional de Oscar Niemeyer, (sua morte foi reverenciada na primeira página de todos os grandes jornais do mundo) possa ser chamado, por um jornalista mequetrefe, num órgão de imprensa de cobertura nacional, de metade-gênio-metade idiota? Isso após sua morte, quando não mais capaz de defender-se, e ainda que sob a desculpa covarde de reproduzir citação de terceiros…
O consolo que me resta é que a História desinteressa-se desses espasmos da estupidez. Quem se lembra hoje dos que críticaram a bossa nova ou Villa-Lobos? Ao talento, no entanto, está reservada a reverência da eternidade.

Antonio Veronese

Meu caro Antonio,
Que beleza o seu texto, um verdadeiro bálsamo para os que ainda acreditam no mundo de amanhã nascendo do espírito, da fé e do caráter dos homens de hoje!

Não é toda a imprensa, felizmente. Há também muita dignidade e valor na mídia brasileira. Mas não devemos nos surpreender com a revista semanal. Em termos de vileza, ela sempre consegue se superar. Ela terá, mais cedo ou mais tarde, o destino de todas as iniquidades: a vala comum do lixo, onde nem a história se dará o trabalho de julgá-la.

Os arquivos do Projeto Portinari guardam um sem número de artigos desta rancorosa revista, assim como de outras da mesma editora, sobre meu pai, Cândido Portinari e outros seus companheiros de geração. Sempre pérfidos, infames e covardes, como este que vem agora tentar apequenar um grande homem que para sempre enaltecerá a nossa terra e o nosso povo.

Caro amigo, é impossível ficar calado, diante de tanta indignidade.

Com o carinho e a admiração do
Professor João Candido Portinari

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contacts: antonioveronese@hotmail.com 
mideart@gmail.com

a n t o n i o  v e r o n e s e

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Des tableaux marqués par la souplesse et la sensibilité. Quelque chose de personnel, une touche de spontanéité des visages. Uniques et pris aussi dans les processus voulu par l’artiste de la répétition. Un pour tous et tous ensemble. Des visages d´un monde âpre. Des visages d´enfants. A la marge. Enfants du Brésil. Ou du monde-Sophie Attar – Le Figaro

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Faces cabossées taillées à la serpe, aux regards intenses qui vous happent et ne vous lâchent plus. Visages de facture expressionniste qui disent la souffrance mais aussi l’espoir, la vie dans toute sa violence et sa beauté. La figure humaine hante la peinture d’Antonio Veronese. Motif obsessionnel qu’il déploie d’un tableau à l’autre…”le visage est inépuisable, apprécie l’artiste, j’ai ouvert la boîte de Pandore”. La palette du peintre se fait tendre avec des tons pastel et doux, ou plus criarde quand le rouge et le jaune explosent sur la toile. Veronese a longtemps travaillé aux côtés d’enfants emprisonnés. Il en a gardé une capacité rare de saisir l’humain!

Christine Monin, La Vie Magazine

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J’ai rencontré Antonio Veronese, cet été à Barbizon, le célèbre villages des peintres ou il exposait ses oeuvres; j’ai immédiatement été séduite par ces visages…“Il garde une cicatrice invisible enfouie dans sa mémoire visuelle, qui se reflète à travers ses oeuvres…

Catherine Rochette- Glint Magazine

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Des tableaux marqués par la souplesse et la sensibilité. Quelque chose de personnel, une touche de spontanéité des visages. Uniques et pris aussi dans les processus voulu par l’artiste de la répétition. Un pour tous et tous ensemble. Des visages d´un monde âpre. Des visages d´enfants. A la marge. Enfants du Brésil. Ou du monde. -Sophie Attar – Le Figaro

Faces cabossées taillées à la serpe, aux regards intenses qui vous happent et ne vous lâchent plus. Visages de facture expressionniste qui disent la souffrance mais aussi l’espoir, la vie dans toute sa violence et sa beauté. La figure humaine hante la peinture d’Antonio Veronese. Motif obsessionnel qu’il déploie d’un tableau à l’autre…”le visage est inépuisable, apprécie l’artiste, j’ai ouvert la boîte de Pandore”. La palette du peintre se fait tendre avec des tons pastel et doux, ou plus criarde quand le rouge et le jaune explosent sur la toile. Veronese a longtemps travaillé aux côtés d’enfants emprisonnés. Il en a gardé une capacité rare de saisir l’humain ! -Christine Monin, La Vie Magazine

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J’ai rencontré Antonio Veronese, cet été à Barbizon, le célèbre villages des peintres ou il exposait ses oeuvres; j’ai immédiatement été séduite par ces visages…“Il garde une cicatrice invisible enfouie dans sa mémoire visuelle, qui se reflète à travers ses oeuvres… -Catherine Rochette- Glint Magazine

 

La recherche, presque obsédante, du visage… Le visage seul, car il s’y trouve une concentration de tout, de l’essentiel… Mais le challenge n’est pas le visage académique, soumis aux règles d’anatomie et de perspective…non! Le visage de Veronese est d’une simplicité absolue, presque abstractionniste… En lui, il n’y a ni le squelette osseux, ni toujours la similitude des deux côtés du visage… Mais attention, cette fausse simplicité est imprégnée d’un humanisme émouvant. -Visages de Veronese-UNESCO-Paris

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« …la vie dans toute sa violence et sa beauté. » Christine Monin (Magazine La Vie -Paris)

 

J’entends dire que les visages de Veronese évoquent les enfants prisonniers… Mais c’est là une idée réductrice. Il est vrai que sa proximité pendant des années avec ces enfants en détresse a fortement marqué sa peinture, mais ce qu´elle dégage est plus profond. En réalité, c’est notre perplexité que peint Veronese, notre impuissance face à la vie et face au monde actuel. Voilà pourquoi il est au-delà des modes, voilà pourquoi c’est un classique. Il manquait à notre époque, empoisonnée par l´abstractionnisme galopant et par le nihilisme de l’art conceptuel, quelqu´un qui dessine le visage de la contemporanéité. C’est précisément ce que Veronese est en train de faire. -Modesto Lanzone, Italo-American Museun of San Francisco.

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VERONESE classé entre les 11 peintres en Amérique Latine (L’avenir) - Un zoom sur 11 « jeunes » peintres prometteurs ou déjà confirmés, et qui ont en tous cas de bonnes chances de laisser leurs noms dans l’Histoire: Marió Murúa, né en 1952 (Chili), Antonio Veronese, né en 1953 (Brésil), Arturo Montoto, né en 1953 (Cuba)… Voir Plus: http://www.graphiste-webdesigner.fr/blog/2011/05/la-peinture-latino-americaine-au-xxe-siecle-jusqua-nos-jours/

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YOUTUBE

https://www.youtube.com/watch?v=tcl8wp4mQg

http://www.youtube.com/watch?v=G6bfrIEfHmQ

http://www.youtube.com/watch?v=ZbrloLVaziQ

http://www.youtube.com/watch?v=hn-3v1DN-co

http://www.youtube.com/watch?v=09Mt_R-zgN4

http://www.youtube.com/watch?v=8ItvehOa1mo

http://www.youtube.com/watch?v=16l_tvyTIBg

http://www.youtube.com/watch?v=7_FnZ4tBQHk

http://www.youtube.com/watch?v=lzefF9i_Ucw

http://www.youtube.com/watch?v=vWy8CBdGFXY

http://www.youtube.com/watch?v=XPu224KDgNQ

http://www.youtube.com/watch?v=9uc0vNpM9mw

http://www.youtube.com/watch?v=-tcl8wp4mQg

http://www.youtube.com/watch?v=jMLC5oCeorc

http://www.youtube.com/watch?v=JvLXgc9Kk-s

http://www.youtube.com/watch?v=UxsL26UAsl4

 

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Last exhibitions/Dernières Expositions:

http://antonioveronese.over-blog.com/pages/Antonio_Veronese_Dernieres_Expositions-5972202.html

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Plus d’info:

http://antonioveronese.over-blog.com/pages/Invitation_Veronese_au_Vieux_Colombier-6119604.html

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Arte brasileira em Paris-Veja.com:

http://veja.abril.com.br/noticia/variedade/antonio-veronese-exposicao-arte-franca-pintura-475117.shtml

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Exposition au Vieux Colombier- août 2012-Paris:
http://www.youtube.com/watch?v=XPu224KDgNQ

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Veronese au Carrousel du Louvre:http://antonioveronese.over-blog.com/pages/antonio_veronese_au_Carrousel_du_Louvre-6357688.html
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Foire Européenne d’art contemporaine à Lille du 12 au 15 avril 2012, au Grand Palais, à Lillehttp://antonioveronese.over-blog.com/pages/antonio_veroneseFoire_Europeenne_dArt_Contemporain-7283635.html

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Italian Page: http://antonioveronese.over-blog.com/pages/In_Italiano_Antonio_Veronese-4252351.html
English Links: http://antonioveronese.over-blog.com/pages/English_PAGEAntonio_Veronese-4252317.html
Veronese, entretien en portugais à la Radio France Internationalhttp://www.portugues.rfi.fr/africa/20101123-arte-de-antonio-veronese

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Antonio Véronèse, artiste brésilien de renommée internationale, a ses œuvres exposés dans de nombreux musées, collections publiques et privées. Il est l´auteur de Famine à la FAO à Rome, de Save the Childrensymbole du 50ème anniversaire des Nations Unies; de Just Kids, symbole de l´UNICEF; de A la Marge, installé en 1997 à l´Université de Genève, en Suisse; La Marche (Tensao no Campo) installé au Parlement du Brésil depuis 1996. Pour son travail il a été invité auprès de la Commission des Droits de l’Homme à l’ONU, et il a reçu à la Cour Suprême de Justice brésilienne la mention “Honoris Causa” du Latin American Institut of United Nations- Risoleta Cordula- Affaires Culturelles- Ambassade du Brésil à Paris

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Antonio Veronese est un artiste complet, en qui les préoccupations esthétiques se confondent avec les qualités humanistes. Il se focalise essentiellement sur l’homme, dans sa souffrance la plus profonde… Sa préférence pous les têtes dénote que c’est seulement au travers d’elles qu’il peut apprivoiser l’horreur… l’horreur de la condition humaine. Dans le dialogue de Timée, Platon affirme: la tête humaine est l’image du monde -Francisco Brennand, peintre et sculpteur

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 Last Exhibitions:

http://antonioveronese.over-blog.com/pages/Antonio_Veronese_Dernieres_Expositions-5972202.html

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